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Linear A.
Ancient language, lost to the modern day. Largely undecipherable.




Get nondeterministic!




So this got me to thinking . . . what if machines do have a subconscious of their own? What if machines right now are like human babies, which have brains but no way of expressing themselves except screaming (crashing)? What would a machine's subconscious look like? How does it feed off what we give it? If machines could talk to us, what would they say?

- Douglas Coupland, Microserfs




This blog is about: ...among other things.




Archive

Aug
21st
Fri
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  • Q: Has DFA approached the Muppets yet for that Kermit the Frog cover of "New York, I Love You"? I mean, that would be freakin' awesome. That song alone should persuade them to do "Muppets Take Manhattan 2".
  • James Murphy: the kermit cover, it's actually the entire band, animal, dr. teeth, janice, etc., and kermit and the band tend to get into these conflicts when people just think of them as "kermit". so please think of it as "the muppet band", just to avoid the normal passive aggressive side-swipes dr. teeth takes at the frog. you know, "oh, i just play keyboards for the famous frog" and shit like that, which blows studio sessions all the time, as kermit, at this point, just walks out, turns his phone off, and gets drunk for 4 days.
  • James Murphy: it's supposed to be for "the muppetts take manhattan 1978", which is the prequel, where they're all working on sesame street--you know, public television wages--and living on the lower east side, making art, scamming, playing around town in various art-no-wave bands. john lurie and fozzy have this thing called "teddy bear" where lurie dressed like an english ted and they did rockabilly songs. the twist was they'd just play one song per performance, but it could go on for hours. foz smoked a lot of dust back then, and would play until his paws bled.
  • James Murphy: kermit was more of the reasonable-guy-who-hung-out-with-the-crazies type, which is why that hurt video kind of bums me out, as it's just not the way he was. he roomed with animal on 2nd between b and c in a one bedroom with the tub in the kitchen and animal was wasted all the time, but could still always play, which kind of blew everyone's mind. he did a bunch of graff writing as "silly-con", most of which was bullshit (and, later, a blatant basquiat rip), but he cleaned up less than 6 months into the Muppet Show's first season.
  • James Murphy: anyway, i'm trying to make it happen, but getting those dudes all in one room... you know.

tags : making music 

Aug
18th
Tue
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For me, Bach’s music is not only as good as music gets, but also as good as it gets, period — as good as existence, reality, life and the world. The Brandenburg Concerto No. 5, specifically the first movement, Allegro, has all the joy, beauty and exhilarating quality of human life at its best. The energy and exuberance in the melody and the attitude of the rhythm are as powerful to me as any rock ‘n’ roll song, as energizing as any techno dance music, as driving and thrilling as any punk or heavy metal.

tags : making music 

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[Flash 9 is required to listen to audio.]

We sure love music of distance, huh? Swedes dreaming of the beach; New Yorkers dreaming of the jungle; Timbaland dreaming, endlessly, of deep space.

Pitchfork: Staff Lists: The Top 500 Tracks of the 2000s: 200-101

#148. air france - collapsing at your doorstep

tags : making music 

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tags : making music 

Aug
9th
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Jul
27th
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bryanmckay:
Philip Glass (via branduponthebrain)

bryanmckay:

Philip Glass (via branduponthebrain)

tags : making music 

Jul
7th
Tue
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Mogwai - Punk Rock in sync with the Iggy Pop interview footage with Peter Gzowski

Jul
1st
Wed
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tags : making music 

Jun
26th
Fri
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The world itself is a satire. All you’re doing is recording it.
— Art Buchwald

tags : making music 

Jun
22nd
Mon
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tags : making music  : radiohead 

Jun
2nd
Tue
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We had a “lively” effect — a speaker hanging over a toilet with a microphone in the room. That was it. ‘How much toilet do you want on this?’ And then we’d argue about it. ‘No! That’s too commercial!’
— Gang of Four guitarist Andy Gill, on the lack of a proper reverb effect during the recording of Entertainment!
May
30th
Sat
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John Cage gave me permission to do whatever I wanted to do. And then I gave you permission to do whatever you wanted to do. That’s what one generation can do for the next.

tags : making music 

May
24th
Sun
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ronniebruce:eeaysee

this is what phil collins thinks about when he plays, i am sure of it.

May
16th
Sat
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tags : making music 

Mar
11th
Wed
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tags : making music